On February 25, following the Notre Dame Collegiate Jazz Festival — the oldest jazz festival in the U.S. — Kendrick Oliver and The New...Read More
Indie Film | Killer of Sheep (1977)
In "Killer of Sheep," Charles Burnett crafts a moving and humanistic portrait of Black life in South Central Los Angeles unlike anything...Read More
Indie Film | Night of the Living Dead (1968)
The second episode of our Indie Film podcast series focuses on George A. Romero's low-budget tale of the undead.Read More
Meet the Artists of EXIGENCE Vocal Ensemble
In our latest Meet the Artist interview, EXIGENCE Vocal Ensemble members answer a few of our burning questions about the group and the...Read More
Meet the Artist: Amanda Mole
On January 29, 2023, Organist Amanda Mole brings her talents to the Murdy Family Organ at the Basilica of the Sacred Heart for a free...Read More
Indie Film | Little Fugitive (1953) and Shadows (1958)
We launch our new DPAC Casts series, Indie Film, with a closer look at two seminal works of the postwar era: Little Fugitive and Shadows.Read More
Meet the Artist: Anthony McGill
In their Presenting Series debut, clarinetist Anthony McGill and pianist Anna Polonsky come together for an exciting program of chamber...Read More
Meet the Artists of UZIMA! Drum and Dance
Performers of Michiana's only African/Afro-Contemporary dance company, UZIMA!, share with us what it's like to be part of the group and...Read More
Documentary: Fact or Fiction? | Flee (2021)
How do you make a film about someone whose identity can't be revealed? Nominated for three Academy Awards including Best Animated Feature,...Read More
Documentary: Fact or Fiction? | Close-Up (1990)
Abbas Kiarostami’s humorous and deeply moving hybrid film suggests inspiring new possibilities for nonfiction cinema. Read More
Documentary: Fact or Fiction? | Stunt Rock (1978)
Blending elements of mockumentary, rockumentary, and low-budget action movies, this recently rediscovered Ozploitation classic is a literal...Read More
Documentary: Fact or Fiction? | The Emperor’s Naked Army Marches On (1987)
Kazuo Hara’s intimate yet harrowing portrait of Kenzō Okuzaki pushes the limits of the ethical boundaries between filmmaker and subject.Read More
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